Meanwhile, he and Petrovich frequently meet to discuss the style of the new coat. Both his father and his grandfather, and even his brother-in-law, all Bashmachkins through and through, used to walk about in boots, changing the soles only three times a year. The first axiom of this theory, variations on which are used by every Soviet critic, is that Gogol was a realist. If we weigh the different elements, it appears that Akaky Akakievich is characterized by a combination of comic, grotesque, tragicomic and tragic elements. One of the great coincidences in the history of literature is that the modern short story form first emerged in two different places on opposite sides of the world at virtually the same time.
He takes an active part in the evening gathering as a man among equals; on leaving the party he is going to a real mistress; and moreover, unlike Akakii Akakievich, he also has a family: Here is the story as summarized in Wikimedia. Indeed, he seems to have been born to his role and we learn that he had once been given more interesting work but had proved incapable of it. It has been one of the most highly acclaimed Russian plays ever since. Petersburg, who by dint of great sacrifices manages to buy himself a new coat, but is robbed of it the very first evening he wears it. Petersburg may be interpreted as a journey in self-exploration: They suggest it is impossible to sympathize with such grotesque humanoids as Akaky. He established six new government departments, including a secret police that would all report to him and through which he would manage important economic and political matters. The story is often regarded as having initiated a whole tradition of Russian realism. That world was dead. The only thing which appears to have life in this ante-room is another inanimate object—the samovar. But although the narrator is naive, the narrative, in effect, is not: A stubborn and bizarre Bashmachkin who is totally unassimilated into society emerges before us. I had to cut my coat to ribbons with the scissors since a mantle has a completely different style. Twelve pages precede this middle section and twelve pages come after it. Even if the main character Akaky Akakievich has a strange name and is a bit extreme in his obsessive work habits, St. The fantastic ending is tied, by its form, to the preceding part of the story; it contains the same themes the theft of the overcoat, the evening party, the romantic adventure. But so it happened, and our little story unexpectedly finishes with a fantastic ending. Afterwards the assistant chief clerk invites him to a party, partly in honour of his coat. There would have been naught but more stupid bickering over money and the bills between his parents as if there were not enough already. The views of these symbolist writers, however, were not well received by Soviet Marxist literary critics, and soon the only interpretations published in Russia described Gogol as a politically engaged social realist. But the important person, although he was quite content with the family affection he received at home, considered it fitting to have a lady-friend in another part of town for friendly relationships. The comic elements at the beginning of the story make us see in Akaky a man whose physical and psychic vitality finds itself in some ways annihilated by all kind of circumstances which automatize him completely. Akaky finds no help from the authorities in recovering his lost overcoat. Gogol, Hawthorne, and Poe all incorporated narrative elements reminiscent of folktales, but their stories tended to be set in reality. Following the lead of V. Instead, the younger clerks tease him and attempt to distract him whenever they can.
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